Publications
Estátuas em movimento: rito, ruína e réplica digital dos profetas de Aleijadinho
A groundbreaking study reveals that the bicentennial soapstone statues of Aleijadinho at the Sanctuary of Bom Jesus do Congonhas are not static but dynamically engaged in multiple narratives, serving both as sacred images and digital replicas. The research uncovers how these statues, fixed in the basilica's precinct, produce rituals of pilgrimage while also being transformed through modern conservation processes and digital representation. By analyzing their role in religious practice and art, alongside debates on preservation and ruin, the study offers a novel perspective on the intersection of sacred representation, ritual, and technological innovation.
Congonhas an example of connection between built and natural heritage in Minas Gerais, Brazil
The Sanctuary of Bom Jesus do Congonhas exemplifies the deep connection between built and natural heritage, showcasing how local geodiversity has shaped cultural landscapes. This study highlights that the region's stone materials—conditioned by subsurface and surface dynamics—have been integral to its architectural legacy, particularly in the city's historic center. While much of this heritage remains unpreserved, the research emphasizes the need for strategies to safeguard existing structures while fostering tourism that educates visitors about the interplay between cultural and natural patrimony. By analyzing these connections, the study underscores Congonhas' potential as a model for integrating geological and historical conservation efforts in Minas Gerais.
The Phenomenon of Religious Tourism at the Sanctuary of Senhor Bom Jesus de Matosinhos in Congonhas (MG)
Religious tourism at the Sanctuary of Senhor Bom Jesus de Matosinhos is driven not by its architectural or historical significance alone, but by the synergy between material and intangible elements during the annual Jubilee celebration. While other heritage sites attract visitors primarily for their cultural value, this sanctuary's unique phenomenon stems from the interplay of symbolic practices, cultural exchanges, and the physical structure itself. The study analyzes visitor data and the Sanctuary’s material-symbolic universe to reveal that the festival’s intangible aspects, conditioned by the site’s materiality, are the true catalysts for its status as one of Brazil’s largest pilgrimage destinations.
Traços Identitários: O Santuário de Bom Jesus de Matosinhos de Congonhas do Campo e o Santuário do Bom Jesus do Monte em Braga / Identity Traits: The Sanctuary of Bom Jesus de Matosinhos de Congonhas do Campo and the Sanctuary of Bom Jesus do Monte in Braga
A comparative analysis reveals shared architectural and sculptural identity traits between the Sanctuary of Bom Jesus de Matosinhos (Congonhas do Campo) and the Sanctuary of Bom Jesus do Monte (Braga), highlighting their symbolic, atmospheric, and technical distinctions. The study emphasizes Aleijadinho's innovative use of soapstone carving in the Brazilian sanctuary and the distinct granite sculpture techniques employed in Portugal. Through a comparative methodology, it examines topographical implantation, ornamental compositions, paintings, and sculptural elements, underscoring the dramatic sensory experiences evoked by these UNESCO World Heritage Sites. The research also addresses technical construction challenges and the significance of these traits within the Portuguese-speaking architectural landscape.
Aspectos Macroscópicos dos Esteatitos Encontrados no Santuário Bom Jesus do Matosinhos, Congonhas/MG
Research on the Sanctuary of Bom Jesus do Matosinhos in Congonhas, Brazil, reveals significant textural and structural variations in the soapstone (esteatitos) used to craft iconic elements like the church's main portal and twelve prophet statues. These variations, ranging from massive to mylonitic and lepidonematoblastic textures, are linked to differences in mineral composition—such as serpentine or talc—and potential multiple extraction sources. Such diversity impacts degradation processes, offering critical insights for conservation efforts.
The 12 prophets dataset
The 'Ajeijadinho 3D' project successfully created a comprehensive dataset of 3D digitized artworks by the renowned Brazilian sculptor Aleijadinho, including the 12 prophets at the Sanctuary of Bom Jesus do Congonhas. This initiative leveraged advanced 3D scanning technology to non-invasively capture intricate details from distances of 10 to 30 meters, eliminating the need for site preparation or isolation. The dataset, accessible via a web portal (http://www.aleijadinho3d.icmc.usp.br), enables detailed visualization and interaction with these cultural treasures, fostering preservation and dissemination. Collaborative efforts between the University of São Paulo and Imprimate ensured meticulous processing of the 3D meshes, highlighting the potential of digital technology in safeguarding UNESCO World Heritage Sites.
Patrimônio cultural, histórico e artístico como atrativo turístico: um estudo sobre o Santuário de Congonhas - MG
The Sanctuary of Bom Jesus do Congonhas, a UNESCO World Heritage Site and one of Brazil's most significant Baroque art complexes, serves as a powerful driver for local tourism. This study reveals that its cultural, historical, and artistic heritage—particularly the works of Aleijadinho—enhances visitor engagement and economic benefits for the region. Congonhas, rooted in Minas Gerais' 18th-century gold cycle, attracts tourists through its rich artistic legacy, recognized by IPHAN in 1939 and UNESCO in 1985. The research analyzes tourism dynamics via interviews with professionals and visitor surveys, demonstrating how heritage preservation and promotion can sustain local development.
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