The Tree of Life in Turkish Culture, Its Use in Tiles and Ceramics as a Motif

The Tree of Life motif, a universal symbol representing the connection between heaven and earth, abundance, and cosmic order, has been deeply embedded in Turkish culture and art for centuries. This study reveals its significance as a recurring decorative element in tiles and ceramics, particularly during the Seljuk period (1071–1308), where it was integrated with other motifs like birds, pomegranates, and poppies. The motif's evolution—ranging from standalone representations in religious architecture to complex compositions with animals—reflects cultural synthesis between Central Asian, Anatolian, and Islamic traditions. Notably, the motif transitioned from its symbolic roots in Shamanic and Zoroastrian beliefs to Islamic interpretations, such as the Tuba Tree, while maintaining its role as a link between worlds. The research highlights its enduring presence in Ottoman-era Iznik ceramics and architectural tiles, where it was often paired with naturalistic elements like cypress trees, tulips, and roses. This analysis underscores the motif's adaptability across eras, serving as both an artistic expression and a cultural bridge.

KIRTAY, K. K. U. R. T. (2023). The Tree of Life in Turkish Culture, Its Use in Tiles and Ceramics as a Motif. Zenodo. https://doi.org/10.5281/ZENODO.8025629