Sculpting Simulacra in Medieval Germany, 1250–1380 by Assaf Pinkus

Assaf Pinkus's Sculpting Simulacra in Medieval Germany, 1250–1380 challenges traditional scholarly interpretations of Gothic sculptures by arguing that these works, particularly those at Naumburg Cathedral and other sites, function as simulacra—inviting diverse emotional and imaginative responses from lay viewers. Unlike previous analyses that focused on religious or mystical experiences, Pinkus contends that such interpretations may overlook the broader cultural impact of these artworks. His study draws on extensive German scholarship but assumes familiarity with this body of work, leaving room for further exploration. While Pinkus provides compelling examples to support his thesis, the book could have benefited from deeper comparisons with French Gothic precedents and more focused discussions on specific monuments.

Collard, J. (2016). Sculpting Simulacra in Medieval Germany, 1250–1380 by Assaf Pinkus. Parergon, 33(1), 273–274. https://doi.org/10.1353/pgn.2016.0064