Locating the transcultural humanities in South Asian art

Research on the Seh-Dara pavilions within Jahangir’s Quadrangle of Lahore Fort reveals that its fresco art and architecture likely share a common origin, offering insights into the site's decorative timeline. By applying Gregory Minissale’s theory of Framing Consciousness, the study analyzes visual and historical evidence to trace the involvement of local artists and explore South Asia’s transcultural phases. This approach suggests that the pavilion’s design and frescoes reflect a continuous artistic evolution, providing a framework for understanding how cultural transitions can be revisited through contemporary observation.

Khalid, K. (2022). Locating the transcultural humanities in South Asian art. Transcultural Humanities in South Asia, 289–300. https://doi.org/10.4324/9781003039549-28