Summary
A detailed classification of the subjects and artistic features of medieval Pskov church tiles, dating from the 14th to 17th centuries, reveals a rich tapestry of symbolic imagery that reflects Christian polysemous symbolism. The study identifies three main groups: geometric, floristic, and ornithomorphic ornaments, with floristic designs being the most prevalent, featuring motifs like grapes, carnations, and floral rosettes. Unique tiles, including those depicting a centaur and a horseman, were uncovered on churches such as St. George's (15th century) and Peter and Paul Church (16th century), both part of UNESCO World Heritage Sites. The research highlights the laconicism, generalization, and harmonious composition of these tiles, offering insights into the visual perception and symbolic transmission of Russian cultural values through architectural art.
Citation
Kiseleva, N. A. (2022). Subjects of the Medieval Pskov Churches’ Tiles in the Perception of their Contemporaries. Observatory of Culture, 19(4), 428–438. https://doi.org/10.25281/2072-3156-2022-19-4-428-438