Publications
A Presença de Emílio Biel no Santuário do Bom Jesus do Monte
Historical analysis reveals the significant role of Emílio Biel as a photographer at the Sanctuary of Bom Jesus do Monte in Braga between 1879 and 1880. Through meticulous examination of archival records, including contracts, payment orders, bills of exchange, prints, and photographic views from the Inventory of the Confraternity of Bom Jesus do Monte, researchers uncovered primary sources that illuminate the cultural and artistic context of this period. The study highlights the strict contractual terms imposed on Biel by the Brotherhood's Bureau and provides valuable iconographic evidence for the history of art, offering insights into the unique features and cultural significance of the Sanctuary during this time.
Traços Identitários: O Santuário de Bom Jesus de Matosinhos de Congonhas do Campo e o Santuário do Bom Jesus do Monte em Braga / Identity Traits: The Sanctuary of Bom Jesus de Matosinhos de Congonhas do Campo and the Sanctuary of Bom Jesus do Monte in Braga
A comparative analysis of two UNESCO World Heritage Sites, the Sanctuary of Bom Jesus de Matosinhos (Congonhas do Campo) and the Sanctuary of Bom Jesus do Monte (Braga), reveals shared architectural identity traits despite their geographical separation. The study highlights similarities in topographical implantation, ornamental compositions, surface paintings, and sculptural techniques, while also noting distinctions. Notably, it emphasizes Aleijadinho's mastery in soapstone carving at Congonhas and the use of granite in Braga. The research employs a comparative methodology to assess symbolic, atmospheric, and sensory perceptions evoked by these sites, offering insights into their cultural significance and technical construction challenges within the lusophone architectural landscape.
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