Spatial Dunhuang: Experiencing the Mogao Caves

A systematic spatial analysis of the Mogao Caves reveals how their artistic and architectural evolution was shaped by embodied human experience, challenging traditional dynastic periodization. The study introduces a 'total space' concept to reconstruct historical cave facades and explores 'originary caves,' which trace local innovation in design and decoration. By integrating interdisciplinary methods—archaeology, architecture, and art history—the research demonstrates how spatial logic influenced sculptural and pictorial programs, such as the Fanhe Icon's representation and the 'Subjugation of Raudrākṣa' mural, offering new frameworks for studying Buddhist cave art.

Feng, A. N. (2024). Spatial Dunhuang: Experiencing the Mogao Caves. The Journal of Asian Studies, 83(2), 427–429. https://doi.org/10.1215/00219118-11058421