The beginnings of Gothic ivory sculpture: recent discoveries in a group of Danish ivories

A recent study reveals that exquisite ivories found in Denmark, characterized by the 'year 1200 style,' are likely the work of a French or French-managed team of artisans. This group, summoned to Denmark around 1220, played a pivotal role in introducing Gothic elements to Danish polychrome wooden sculpture. The research identifies two key discoveries: an Adoration group linked to Archbishop Anders Sunesen, who studied in Paris and Bologna, and the Herlufsholm crucifix figure, which is connected to a large crucifixion group once housed in Roskilde Cathedral. Stylistic evidence and written records suggest a significant French influence on Danish art during this period, highlighting well-documented elite exchanges between France and Denmark.

Nyborg, E. (2014). The beginnings of Gothic ivory sculpture: recent discoveries in a group of Danish ivories. Sculpture Journal, 23(1), 31–39. https://doi.org/10.3828/sj.2014.4