Summary
A reassessment of the Romanesque sculpture found during the restoration of Christ Church Canterbury's west alley cloister challenges its long-standing association with an 1180 screen in Canterbury Cathedral. New historical and archaeological evidence suggests these sculptures, previously linked to the cathedral's screen, instead originated from a lavatorium—a ceremonial water feature—built by Prior Wibert as part of his extensive waterworks system within the great cloister. This reinterpretation hinges on a critical analysis of existing records and recent research, offering a significant revision to our understanding of medieval architectural and liturgical practices at this UNESCO World Heritage Site.
Citation
West, J. (2017). The Romanesque Screen at Canterbury Cathedral Reconsidered. Medieval Art, Architecture & Archaeology at CANTERBURY, 167–179. https://doi.org/10.4324/9781315091273-10