World Heritage Site: Palace and Park of Fontainebleau
Publication Year: 2026
Publication Type: Dissertation
Publication Identifier: WHE0988FFB4EB
Summary
A significant shift in the depiction of the female nude occurred during the French Renaissance, particularly at the Palace and Park of Fontainebleau. Initially confined to private religious texts, such as Jean Fouquet’s 1452 Melun Diptych, the female nude evolved into monumental mythological forms under King François I’s patronage, brought in by Italian artists. By the mid-16th century, French artists at Fontainebleau introduced large-scale oil paintings featuring secular nudes, categorized into heroic nudes, women at their toilettes, and women at their baths. This transition, analyzed through historical art analysis, marks a pivotal development in Renaissance iconography, blending religious, mythological, and secular themes.
Citation
Peoples, A. S. Origin of woman. https://doi.org/10.14418/rgfbnjnz
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